Some suggest that violin rosin and white glue work too, without damaging the finish. You may need to renew the tape periodically, but many find this solution lasts for years. Line the bridge up carefully using your masking- tape markers and press the base down onto the body. Apply the tape to the areas of the base that make contact with the body and trim the excess from the edges. Rather than soft fabric-style carpet tape, go for double-sided Sellotape that’s as thin as possible and will have minimal effect on vibration transfer. Carefully mark the position of the bridge by placing masking tape around the base. Start by ensuring the guitar is set-up exactly the way you like it and the intonation is as accurate as possible. This is a well-known issue with archtop guitars in general – although heavier gauge strings might help, you would be compromising playability to fix a mechanical issue.įortunately, there are various solutions of varying degrees of invasiveness. Note how the bass and treble sides are marked in pencil under the archĪlthough many new models come with this problem solved at the factory, when there isn’t enough downward pressure on a traditional Gretsch bridge, it’s all too easy for it to be knocked out of position. The backing has been removed from the treble side and the tape is so thin, it surely has little or no effect on tone transfer. Immobilise your bridge Masking tape was used to mark the correct position for the bridge, then double-sided Sellotape was applied to both `feet’.
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